THE LESSER WAVE
This piece was inspired by one of the first works of art I had ever seen. It was a photograph of Katsushika Hokusai’s “The Great Wave Off Kanagawa”. To this day, this work both inspires and amazes me. My piece is merely a small homage to the original.
THE SKY ABOVE THE EARTH BELOW
This piece is a matter of conflicting balance. The clouds on the left of the work, are soft and fluffy . . . at first glance.
Only upon examination, can you see the storm starting to form. The right side of the work represent the land and the sea. Inextricably linked, but still separate. Up to a point.
IN ALL DIRECTIONS AT ONCE
This piece, in spite of its complexity at first glance, is intended to be quite simple. Lines going in every direction. Colors colliding and fading away. But, in the center, there is something solid onto which you can hold.
THAT’S HOW THE LIGHT GETS IN
The title of this piece is a reference to the Leonard Cohen song “Anthem”. In it, he sings: “There is a crack in everything. That’s how the light gets in.” In so many ways, I believe that this is both the gift, and the curse, of the artist. To find as many cracks as possible, and to fill them with as much light as you can.
WHO WILL STOP THE RAIN
This piece was inspired by a photograph I saw, many years ago, in Japan. The photograph had been taken around the turn of the last century. It was a sepia toned image, taken from above, of people rushing home in the rain. What I have tried to do with this piece, is capture the energy of the original photograph, without resorting to clearly defined images of the crowd.
ALL CREATURES GREAT AND SMALL
This piece was inspired by everything Picasso. His work, his life, his demons, his loves.
From tortured faces to mystical elephants. From a bottle of Absinthe to the horse from the Guernica, I have tried to create a sense of the man. Or at least what he meant to me.
Throughout history, whenever there has been a change in the way in which art is created, there has been resistance. Never has this been truer than what we are witnessing today, with regard to Digital Art.
In spite of the fact that we are living in the "digital age", with computers a primary factor in virtually everything we do, there is still widespread rejection of even the concept of Digital Art, let alone the artwork itself.
Perhaps it is because people are largely unsure of what Digital Art actually is, or how it is created. Many assume that the computer is somehow creating the art and not the artist manipulating the computer to do so.
Perhaps it is because there is no clear understanding of Digital Art and, therefore, no established way to judge the merits of the work.
It is not as simple as saying, "Digital Art is art made on a computer." Certainly, that is the basis for all Digital Art, but it is so much more than that. CGI and computer animation. Algorithmic or Vector art. Digital Collage and digitally manipulated photography. All can, and should be, considered Digital Art, and yet none are currently considered to be worthy of the term "Fine Art".
There is, however, a type of Digital Art that could potentially break through the barriers and achieve sufficient acceptance to be work that might be considered "real" art, if not indeed Fine Art. It is called, Natural Media Digital Art.
Similar in concept to the work I once did as a conventional artist, what I now do on the computer is best described as Digital Abstract Expressionism. The edges of that term might be stretched a little, simply because so much more is possible when using the computer to realize the impulse and intention, but the same foundations are there. Colour. Form. Balance. Weight. All are still present. All are still necessary.
It is still the practice of "making marks". All that has changed, is how those marks get made.
My reasons for creating this website are two-fold: The first is to introduce you, in some small way, to the beauty and variety possible with Natural Media Digital Art. The second is to encourage as many of you as possible to begin to explore your own journey of creativity within this fascinating medium.
If you have any questions or comments, please feel free to reach out to me at: michaelnovakart@gmail.com
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